Whether you're a beginner or a professional artist, choosing the right kind of watercolor paper is essential. Many people don't know that the success of a watercolor piece depends greatly on the quality of the paper used. In fact, more than the kind of paint a watercolorist uses, it's the paper that defines how effective a painting would be in conveying an image.
There are many different types of watercolor paper suitable for a variety of effects. If you're a beginning watercolorist, choosing the right one can be confusing. Our article today breaks down the different points to consider when buying watercolor paper. Our top 10 list also aims to show you the best options currently available online.
Quick List - Top Watercolor Paper
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Table of Contents
Watercolor paper is a type of surface on which an artist applies watercolor pigments or paints. They may be made of different types of materials, such as cotton or wood pulp. However, the most distinguishing feature of watercolor paper compared to other types of paper is its surface.
Watercolor paper typically has a more textured surface that makes it ideal for receiving and absorbing a lot of water. The water-absorbing quality comes from the loose compression of fibers in the paper. This feature allows water mediums to seep in with less warping and distortion.
Here are some key points to consider:
For more detailed information, read through our buying guide below.
Watercolor paper grade refers to the quality of the paper. Quality is often marked by the paper's pliability and degree of water absorption. Here are the two general types of watercolor paper according to grade.
If you’re a watercolor newbie, it can be overwhelming to spend quite a bit of money on sheets of paper. Student-grade paper is intended for beginners or hobbyists.
The low cost makes it possible for beginners to enjoy practicing without worrying about wasting paper. However, most student-grade paper is not acid-free and will turn yellow and brittle over time.
Once you’ve developed your skills, you can level up to using artist-grade paper. These are of high quality, acid-free, and designed to endure the test of time.
Professionals use artist-grade to ensure that their paints perform well, given the premium surface of this quality paper. And if you do commissioned work, acid-free paper is essential to maintain archival quality.
The size of your watercolor paper will dictate if you will be able to take it along with you on plein air or urban sketching sessions. Larger types would require tools like an easel so that you can prop it up and work hassle-free.
Smaller sizes would, of course, be more conducive to travel sketching because they are light and handy. Some watercolor paper manufacturers even have some palm-sized models for people who like doing watercolor sketches on the go.
Both student- and artist-grade papers come in different weights. Thickness in watercolor paper is expressed in pounds or grams per square meter (gsm). Standard paper weights designed for watercolor are 90, 140, and 300 pounds or 190, 300, and 638 gsm.
Lighter paper tends to buckle when wet, so you would need to stretch it first before painting. On the other hand, heavy paper can absorb more water, so there is no need to stretch beforehand. If you do a lot of washes or wet-in-wet painting, heavy paper, like those with 300 gsm and above, is crucial.
The texture of watercolor paper can make or break a painting. Different styles call for appropriate surfaces.
Rough watercolor paper is the most textured among the three types. It is the best type to use for loose painting styles because the heavy texture provides the painting with a luminous quality. The deep pits on the surface are great for giving the impression of texture without a lot of fine detail.
On the other end of the texture spectrum is hot-pressed watercolor paper. This type is smooth since it is pressed between two hot metal rollers. Thus, the texture of the paper is flattened and rendered completely smooth.
This is the top choice for artists who work with fine detailing and subtle effects. It is also the best option if you intend to scan your work and reproduce it on smooth paper.
Cold-pressed paper is a cross between rough and hot-pressed. Pressed through cold metal rollers, it has a slight tooth in it but is still workable for little details. This duality is the reason why most watercolor artists prefer cold-pressed paper. It strikes the perfect balance between texture and fine detailing.
The composition of watercolor paper determines its absorption capacity and also its archival ability. Here are the most commonly-used materials in the manufacturing of watercolor paper.
Cotton is the preferred choice for artist-grade paper because it is much stronger and has tremendous water-absorbing properties. Because of this, it can take quite a beating from washes and wet-in-wet techniques. Cotton can also take multiple layers of paint.
The higher the grade of the paper, the more cotton fibers it has. And because it can hold more water, it allows for a longer drying time and lets you have more time to direct or manipulate the paint on the surface. Thus, watercolor paper made of 100% cotton means that it is of the most premium quality. However, this also means that it is more expensive than other types.
Cellulose, also known as wood pulp, is the material of which most student-grade papers are made. It does not absorb as much pigment and water as cotton does. It is also not as strong and pliable. Thus, it is all right for single-layer or light watercolor sketches. More than that, and it will start to warp or buckle.
However, most brands of cellulose paper are also not acid-free, so if you want to preserve your paintings for a long time, make sure to check if the brand offers acid-free cellulose paper.
Some brands have the same variant available in several forms to suit users’ preferences. Make sure that the one you choose is convenient and suitable for your purposes.
Watercolor paper is available in small and large sheets. These are convenient for when you prefer to stretch your paper before painting. Artist-grade paper is also available in rolls, which is perfect for artists who work in large-scale paintings, such as landscapes.
Watercolor blocks, on the other hand, are perfect for those who do not want to go through the effort of stretching prior to painting. A block is a pile of sheets glued together on all sides.
This prevents the paper from buckling no matter how much water or pigment you put on it. A tiny opening is left on one side so you can slip in a cutter or a knife and slice it off the block when your painting is done.
Pads are great for practice or outdoor painting. Most pads are bound at the top or the side with tape or glue, so you can easily peel off a sheet when you’re done. There are also watercolor pads available in spiral-bound form. This type is convenient for travel sketching or painting because it is easy to flip a finished work over and start on a new one.
Products | Image | Click to purchase | Key features | |
---|---|---|---|---|
1 | Arches Cold Pressed Watercolor Paper Pad | ![]() | Gold Standard in Watercolor Papers | |
2 | Awagami Hakuho Watercolor Paper | ![]() | A Unique Fiber Blend Perfect for Achieving Depth | |
3 | Baohong Hot Pressed Watercolor Paper | ![]() | Great for Wet-on-Wet Techniques | |
4 | Hahnemuhle Brittania Hot Pressed Block | ![]() | Ideal for Fine and Sharp Detailing | |
5 | Strathmore 400 Series Watercolor Block | ![]() | A Well-Built Pad for Intermediate Artists | |
6 | Canson XL Series Aquarelle Watercolor Pad | ![]() | Student-Grade and Acid-Free Watercolor Pad | |
7 | Hahnemuhle Cornwall Watercolor Block | ![]() | Super Heavy Paper for Good Color Flow and Intensity | |
8 | Canson Starter Pack Montval Torchon | ![]() | A Quick-Drying Watercolor Pad | |
9 | Tokyo Finds Watercolor Paper | ![]() | A Double-Sided Sheet for Both Rough and Smooth Surfaces | |
10 | Fabriano Watercolor Pad | ![]() | A Budget-Friendly Option for Beginners |
Hands down, Arches is the most beloved paper brand for watercolorists. Made of 100% cotton fiber, it is widely regarded as the gold standard of watercolor papers. With each sheet weighing 300 gsm, this is a pad you can rely on for consistent quality.
Although both its hot-pressed and cold-pressed papers are popular, more artists prefer the cold-pressed type because of its great texture. It reflects light well and is the perfect surface for showcasing the transparent quality of watercolor. At the same time, the grain is light enough to allow painting fine details.
Each sheet is coated with natural gelatin to strengthen the fibers even more. Thus, it can withstand layers and layers of washes, as well as rubbing and removal of masking fluid without any damage. With all of these great qualities, Arches does not come cheap. However, if you're serious about art, it really is one of the best investments you'll ever make.
This watercolor paper from Awagami is pretty unique. It prides itself on an impressive East-meets-West blend of kozo or mulberry and cotton fiber. This special combination produces a beautiful texture that lends much depth to watercolor artworks.
The paper is museum-quality, so it is quite pricey. But it is also quite versatile, and artists use it for different purposes such as printmaking, inkwork, and even paper sculpture. Despite being an uncoated paper, it is incredibly strong and resilient, feeling almost like a rag.
Made of 100% cotton, this artist-grade watercolor block from Baohong is a great alternative to Arches. It has gained considerable attention from both newbies and professional artists for its superior absorbent quality and pliability. Watercolorists often say that this paper is comparable to Arches in terms of performance.
This paper is especially great for heavy washes, as it allows beautiful diffusion between paints, and you get a lovely, natural blending of different shades. Although this specific variant is hot-pressed and also good for fine detailing, the pure cotton blend makes it ideal for loose washes as well.
Hot-pressed watercolor is a bit hard to find in the Philippines, so this option from Hahnehmuhle is a welcome one. Produced on a fourdrinier paper machine, this paper is a multi-talented one. It performs well not just with watercolors but also with other mediums like gouache, tempera, pastel, charcoal, and pencil.
With hot-pressed paper, you can make little details look as sharp and fine as you want. This is why this brand is a hit with botanical artists, who need to be as detailed as much as possible when creating paintings of leaves and plants. The paper holds pigment well and accommodates multiple glazes with no issues of buckling.
Strathmore is a brand known for quality artist papers. This block from the 400 Series occupies a nice spot between student- and artist-grade papers. It is a great choice for artists who would like to transition from cheap types of paper to more high-quality ones without breaking the bank.
Made of wood pulp, the paper in this block is durable and thick enough to absorb heavy washes with minimal warping. Pigments flow well on the even surface, and the result is a lovely fusing of different colors. The surface is textured and strong enough to allow lifting and scraping applications.
Plein air artists and travel sketchers love this block because it is quite sturdy and well-built for outdoor painting. Even though it is made of wood pulp, it is acid-free, so if you want to preserve your paintings, this one is well worth the money.
This watercolor pad from the Canson XL Series is a wonderful choice for beginners and students. The texture of the paper is cold-pressed, but the grain is very light, so it works well with fine detailing. It is also a versatile type of pad because you can use this with dry media like pen and ink, markers, pencil, pastel, and charcoal as well.
It works just fine with light washes, but it can be a little difficult for paints to diffuse smoothly and seamlessly in heavy washes. However, it works really well with watercolor pencils, so that could be one way to accomplish more nuanced paintings with this pad. Nevertheless, it is quite durable and can stand up to repeated washes.
Another plus is that it is acid-free despite being a student-grade paper. It also comes in a spiral pad with perforations on each sheet. You can tear away your works from the pad and be able to frame it beautifully.
If you love doing watercolor washes, you will love this paper from Hahnehmuhle. With a whopping 450 gsm weight, it is definitely able to stand up to loads of washes and wet-in-wet techniques. The bright white color provides a great contrast to bright pigments. One thing its users love is that pigments do not seem to fade much on this paper.
The result is a vibrant painting that would perhaps be difficult to achieve on a different brand. However, one drawback is that tape and masking fluid can be difficult to remove, with layers of paper possibly peeling upon removal. So if you use tape and masking fluid a lot, this is something to keep in mind.
Montval Torchon is one of those watercolor paper types that cross the line between artist- and student-grade. It is classified as student-grade, but many professional artists work with it because of its many plus points.
First off is its quick-drying property. Artists can finish their work much faster when they don't have to wait for a long time in between layers. However, some users claim that it doesn't hold water well, which might be why it has a short drying time. That said, its quick drying time does allow it to receive multiple glazes well.
The paper also has a rough texture that gives finished paintings a unique luminous look, no matter what wet media you're using. It's suitable for dry media like pastels and crayons, too. In addition, there are no optical brighteners in this paper, so you can be assured of shade consistency across the painting.
These sheets from Tokyo Finds offer you the best of both worlds. Whether you're into loose painting, finely detailed work, or calligraphy, you'll find a good match with this pack because each sheet offers a rough side and a smooth side.
The 300 gsm weight also means that this paper can take even heavy washes and allows easy lifting and layering of pigments. It can also accept other media like gouache, acrylic, charcoal, ink, colored pencils, markers, and pens. That's quite a lot for such an affordable price!
If you're a beginner and not ready to splurge on more expensive brands yet, here's a good option for you. Fabriano offers a good cold-pressed surface for practice and watercolor studies. While it's not as heavy as the other brands on this list, it's acid-free, so you can preserve your work and look at it years from now to see how far you've progressed.
However, this paper is made of only 25% cotton and will buckle under heavy washes. If you want to add this to your art kit, it's best to stretch it before you paint so you can prevent unsightly warping. This is suitable not just for wet media like watercolor, gouache, ink, and acrylic, but also for dry media like charcoal and pencils.
Below are some of the most asked questions on the web answered by the mybest team.
There's no hard and fast rule about which side to use, unless you're using a watercolor block. It all depends on the texture you prefer. Just keep in mind that different textures will produce different effects.
Stretching is done prior to painting to keep the paper from buckling once wet media is applied on it. That way, the painting surface can remain flat and stable as you paint, no matter how much water you apply. This is especially important for lighter-weight paper, which cannot absorb as much water and tends to warp or buckle if not stretched beforehand.
Pilling happens when the surface of the paper has been scrubbed too many times with the brush. This is also a typical occurrence when the paper is low-quality. To prevent pilling, choose a high-quality watercolor paper, use a light touch, and avoid overworking the surface.
Now that you are on an art journey, it is such a joy to explore other kinds of art tools and materials. There is so much to learn about different art approaches and techniques. Check out our article reviews of paints and studio essentials to make your journey even more fun!
Author: R. Umlas
No. 1: Arches|Cold Pressed Watercolor Paper Pad
No. 2: Awagami|Hakuho Watercolor Paper
No. 3: Baohong|Hot Pressed Watercolor Paper
No. 4: Hahnemuhle|Brittania Hot Pressed Block
No. 5: Strathmore|400 Series Watercolor Block
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